All you need to know about Carpenter's Square - 18


Diagram 18.1: White to play

This shape is commonly seen in real games. Please consider what white can do?


Diagram 18.2: Common joseki

In this popular joseki, instead of continuing at 'a', black may choose to play a pincer move at right side if conditions are suitable. This may lead to the following:


Diagram 18.3: Common joseki (continued)

Black 2 may play at White 7 to secure the corner but white would get a nice wall outside. With some fighting spirit, black can choose this variation. Note that pros always make *w7*/*b8* exchange, rather than playing *b8*, 'a', *w7*, 'b' sequence - it is very important to leave some aji in the corner. As you may have guessed, the corner is safe for the moment and black can take care of the two outside stones first.


Diagram 18.4: Black comfortable

White 1 and White 3 create a standard Carpenter's Square. But black can live comfortably by playing 'a', or be more ambitious to play tenuki and get ready for a ko fight.


Diagram 18.5: Normal development

This diagram shows the normal development. Although White 1 is the urgent point, there is not much white can do in this corner. Pros often make *w1*/*b2* *w3*/*b4* exchanges first, leaving the White 5 and White 7 yose to play at a much later time.


Diagram 18.6: One possibility

Why do pros like to keep these exchanges? This shows one possibility. If white somehow gets White square in sente during mid-game, a ko fight can be created. This is exactly what happened in this pro game (, move 117 onward), where Rin Kaiho exploited the corner aji and won the Tengen title.


Diagram 18.7: Seki (11=a)

If White 1 attacks here, black can form a seki by occupying the key point *b2*.


Diagram 18.8: Variation

Black 8 is possible too. The result is also a seki.


Conclusion: black corner is alive. Both sides need to be aware of the aji in the corner.


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